Nine paintings examining the visual economy of anti-Black caricature, from 19th-century minstrelsy to contemporary media representation. The series refuses the progress narrative, insisting instead that the image of Black life in America has been continuously managed, distorted, and commodified. Solo exhibition, Los Angeles, 2021.

A single work in response to the killing of Ahmaud Arbery, operating simultaneously as memorial, indictment, and refusal. Torn newsprint embedded in acrylic surface holds the record of a murder that the state first tried to disappear.

Three oil pastel portraits naming what the culture refuses to, Depression, In Dire Distress, Despair. Made in response to an 80% documented rise in Black male suicide, the series rejects the demand that Black men perform strength at the expense of survival.

An ongoing body of intimate works in oil and pastel on paper. Studies in solitude, interiority, and abstracted form, the private register of a practice that is otherwise public and confrontational. 2022–2025.

Large-scale paintings on canvas and wood panel. Works held in private and corporate collections across the United States.